Diagonally opposite, across the Piazza, the more exotic whores straddle Corso Novara. Southern Asian, Chinese, transgender. Here the police are less hospitable. A girl, maybe Sri Lankan, crouches behind a dumpster as the squad car pauses, bright white skirt and heels mingle with leftovers from a nearby trattoria. It could be a scene from a film, a tragic life story beautifully realised, a whole existence summed up in one hasty but graceful movement. She looks terrified, bored.
Via Tribunali cuts through it all, emptying, through the basin of Piazza Dante, on to the shop lined via Toledo. Toledo is the thin vein that connects the two centres, the two worlds, of the city. To its west lies the densely packed 16th Century Quartieri Spagnoli, a maze of tiny streets, poverty and alleged Camorra influence. It sits noisily at the base of middle class, almost Parisian, Vomero, perched on a hill crowned by the Certosa di San Martino. This is a different city altogether, one of light and space, opportunity and contentment. It is here, and down on the alternative centre of the waterfront, around Castel Nuovo and Castel dell’Ovo, that the city opens up to reveal itself.
Vesuvius, invisible amidst the tangled web of streets in the centre, sits quietly across the bay. Italy’s oldest opera house, the Teatro di San Carlo, sits next door to the uninspiring Palazzo Reale and the sterile expanse of Piazza de Plebiscito. Beyond lies the alleged glamour and boutiques of Chiaia, and Villa Comunale, the nearest thing to an expanse of green. Message scrawled padlocks sit like blossoms on the seafront railings of Via Caracciolo looking out towards Capri, watching the waves that washed up Parthenope, that now crash against grafitted rocks.
Far to the east lies Poggioreale, poverty without beauty. The largest prison in southern Italy faces off against the shiny new civic centre of the Centro direzionale. Poggioreale Market, high fashion overspill encased in an old meat market, pulsates in the shadows of a motorway flyover and the carcass of a large modern building abandoned unfinished. This is the nearest we get to the Gomorrah of Scampia and Secondigliano, though is still a world away. A place where billboards advertising the Communist Party and latest designer perfumes sit side by side, where the gothic hulk of a decaying tram station basks under the same stupefying sun as the boutiques to the west. 
Naples is full of sound and fury, conversations shouted from the street to the upper floors, the constant beeping of the constant traffic, a city of never ending movement. Yet beneath it lies something quite different, something quiet and disciplined. Youths stand around everywhere smoking, talking, leaning against vespas. Stylish, attractive, superfluous. ‘Youths’ is not quite right, many are a good deal older. At home they would crowd into pubs, here they stand on the street, enjoying freedom away from home, away from the parents they still live with. Civilised, sober, polite. The sophistication we northern barbarians lack. Yet there is something infantilised about all this, hanging around on street corners, Ice creams and pastries. There is something stifling, repetitive, empty, something that reminds me of Summer in Algiers. Cutolo’s willpower seems largely absent.
Yet maybe this is just what it means to be surrounded by beauty, by sunshine, the finest food and coffee. Is the famed ‘backwardness’ of the south, that has so frustrated those with grander ideas further north, just contentment? What do flags and grand schemes matter when you can sit in the sun with the most sublime coffee devouring fresh Sfogliatelle? The history of Naples, as of Italy, is much more complex and ambiguous, of course, as the refusal to remove the shiny lettering declaring that the monumental main post office was constructed in the glorious fascist era attests to. Political posters and slogans abound. The overall impression though is that Naples is Naples, coffee and Camorra, Ice Cream and churches. History and ideas wash over it rather than decide its fate.
Vedi Napoli e poi mouri they say. As for us, we are the whores of Naples, we take what it offers, we move on.

